HD Video Production and Post Production

The pristine images this camera makes are stunning!
The HDW-F900 CineAlta high definition camcorder is the ultimate production tool. The camera is ideal for high quality digital cinematography and ENG projects as well. The HDW-F900 has been successfully used on many high profile projects including Star Wars Episode II. The camera has a range of optional accessories to suit any application from ENG style production in high definition, to film style digital cinematography.

Key Features:

• HD FIT CCD - Incorporates 2/3-inch 2,200,000 pixel FIT CCDs in the camera section for top resolution 16:9 high definition pictures.
• Multi-format Operation - Multi-frame-rate switchable recording capability. Shoot at 24 (film rate), 25 or 30 fps progressive, or 50 or 60 Hz interlace.
• This is the advanced Universal Model - Supports the 1080/24PsF format which is defined as ITU-R.BT709-3 HDTV standard for production and international program exchange.
• Film Friendly - Can record at the film friendly rate of 24fps progressive.
• Convenient Set-up - Uses the new Memory Stick removable media for memorizing various setup parameter settings and provides instant recall.
• Longer Record Times - Up to 50 minutes recording time at 24 frames per second progressive with BCT-40 HD cassette.

Our Sony F900 Camera Package Includes:

• Sony F-900/3 Camera Body
• Hi-Res 16x9 Viewfinder
• Tripod Plate
• On-board Microphone
• Satchler 18 III Fluid Head
• Anton Bauer Hytron 140 14.4V or Dionic 90 Batteries
• Anton Bauer Charger/Power Supply
• User Guide
• Portabrace Carry-on Camera Bag, or Thermodyne Hard Shell Shipping Case
• Canon 15x8 w/2X HD Lens
• Panasonic 17”  LCD Multi-Format HD Monitor, 25’ 75ohm BNC cable
  

This full 2/3" DVCPRO HD camcorder records stunning 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. The versatile, cost-effective camera provides higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects, graphic overlays and constant editing and processing. Collaboration and content exchange are essential in sports production, cable shows and reality TV -- and nothing maintains the original image integrity and sound quality like DVCPRO HD. With 1080i, 720p, 24p and 25p capabilities, the AJ-HDX900 is perfect for long-form HD programming and an invaluable tool for digital cinematography, cable and television production in any format, sports and events, for globetrotting documentarians and feature crews.

Our Panasonic HDX 900 Camera Package Includes:

• Panasonic HDX-900 Camera Body
• Hi-Res 16x9 Viewfinder
• Tripod Plate
• On-board Microphone
• Satchler 18 III Fluid Head
• Anton Bauer Hytron 140 14.4V or Dionic 90 Batteries
• Anton Bauer Charger/Power Supply
• User Guide
• Portabrace Carry-on Camera Bag, or Thermodyne Hard Shell Shipping Case
• Canon 15x8 w/2X HD Lens
• Panasonic 17” LCD Multi-Format HD Monitor, 25’ 75ohm BNC cable
  

Sony EX-3 XDCAM HD camera package!
Includes Camera Package, Standard lens, Tripod, Lights and Batteries

The Sony PMW-EX3 is a flash-memory based high definition camcorder capable of a variety of frame rates and resolutions using Sony's new XDCAM-EX intraframe codec. The PMW-EX3 ups the ante by providing an interchangeable lens mount. The mount allows users to put a variety of professional lenses on the camera, including 1/2" and 2/3" bayonet-mounts. Whether shooting in 720p, 1080i, or 1080p modes, the PMW-EX3 has it all covered. Its bevy of output settings lets users take advantage of fast and slow motion, as well as popular frame rates such as the "film-like" 24p mode.  XDCAM EX is a variant of Sony's popular XDCAM HD codec, which has become a benchmark for affordable non-linear professional acquisition. Through the use of flash-based memory, the PMW-EX3 can take advantage of variable bit rate (VBR) recording. VBR technology intelligently employs less or more image compression to different portions of the footage dependant on which areas need additional bandwidth. The end result is higher quality video with a reduced amount of compression artifacts when compared to more antiquated constant bit rate (CBR).

SxS technology is built for today's most demanding applications and beyond. Being based on the Expresscard/34 interface makes ultra-high transfer rates possible, up to 800 Mb/s. These high transfer speeds can be very important when trying to quickly download multiple gigabytes worth of footage.

Under and Over-Cranking Made Easy

Variable frame rates have been used in filmmaking since its inception. What is often referred to as "over-cranking" for slow motion and "under-cranking" for fast motion, is achieved by running film quickly or slowly through a film gate. This method makes for a simple yet effective technique, which can be used in an myriad of creative cinematic ways. The PMW-EX3 has the ability to simulate this same effect while keeping your hands free from all those stinky film chemicals.  Shoot in a number of frame rates, select any clip, and watch your footage playback automatically in all its fast or slow motion glory!

Extended Record Time

Due to the space-saving nature of XDCAM EX, the 16 and 32GB memory cards are capable of recording for long periods of time.  Documentary work will never be a problem when shooting on the PMW-EX3.

NanoFlash is the world’s smallest, lightest, lowest-power, professional HD/SD recorder/player. Easily mounted to your camera, nanoFlash is designed to record higher quality images than the camera itself, by capturing never-compressed video/audio from the HD-SDI or HDMI output. nanoFlash utilizes the very high-quality Sony XDCAM 422 CODEC, recording the video/audio onto affordable Compact Flash Media, at visually lossless rates up to 180Mbps (Long-GOP) or the DVCPRO type of compression (I-Frame) up to 280 Mbps. The footage can be stored in native Quicktime for Final Cut Pro, or MXF for Avid, Sony Vegas, Edius and other non-linear editors., providing near-universal NLE support!

The EOS 5D Mark II is unusual among DSLR digital cameras in that it is capable of recording Full HD video with the camera's 21.1Mp, full frame 35mm-format sensor. The camera captures image files with incredible quality and color accuracy.

What does this all mean?

This camera provides the shallow depth of field of 35 mm film, at video prices! This allows for stunning imagery that has previously been unattainable for most productions.

We have you covered with extremely high quality lenses ranging from 12 mm wide angle, to 200 mm telephoto. That is a lot of range and creative choices available in the field!!

The camera shoots Full High-Definition video with 1080p image quality, at frame rates of 30 or 24 fps with sound. We also attach an external digital audio recorder for recording professional-quality stereo audio with the video, furthermore, we can play back video clips on a HDTV display in full HD quality with the cameras HDMI Video output.

We have you covered with the experience and expertise shooting on this new generation of production tools!!

• Canon 5D MKII

• Sigma 12-24 UWA

• Canon EF 24-105 K)IS USM

• Canon 70-200 MM EF 1-2.8 LIS USM

• IKAN Vx7 Monitor w/AB Power Plate w/screen protector

• Articulating Arm Monitor Mount

• 2 - Canon Batteries LPE6

• Canon Battery Charger LC-E6

• Tamron 1.4.AF Teleconverter

• 2 - 32 GB 400x 32 6B CF

• USB Multi Card Reader

• Cartoni Fluid Head

• IKAN super fly DSLR cage

• Matte Box with rails

The HVR-Z1U features three developed Super HAD 1/3" CCDs. These 16:9 native CCDs, combined with a high quality 12X Optical Zoom Carl Zeiss Vario-Sonnar® T* Lens and Sony's 14 bit A/D and DXP Digital Extended Processor, result in precise image acquisition with superb detail and clarity. The advanced CCD design allows more light to reach the pixel imager, reducing video noise and improving the signal-to-noise ratio. The HVR-Z1U records this exceptional imagery using the recently adopted HDV 1080i format onto a DVCAM™ mini cassette.
HDV 1080, 50i/60i/30F/25F Recording and Playback capable
High quality 12X Optical Zoom Carl Zeiss Vario-Sonnar T* Lens
Manual Focus Ring
Balanced Audio XLR input connectors (x2) with Selectable Phantom Power
14 Bit DXP (Digital Extended Processor) combines 14 bit A/D converter with an advanced camera processing system
Switchable HDV/DVCAM/DV Format Recording
60i/50i (NTSC/PAL) switchable
Built-in HD to SD down conversion
Precision 16:9 SD DV recording
CineFrame™ and Cinematone™ functions for cinema like recordings (25F/30F/24F)

GoPro HD HERO cameras are the finest wearable and gear-mountable cameras in the world, designed to go with you and capture life as it happens in stunning high definition. These point of view digital cameras shoot up to 4 hours of 1080p HD video and they’ll also take 5 MP still time lapse photos.
The GoPro camera lineup is also extremely durable, built to take whatever you can dish out. Featuring an industry-best 170 Wide angle model and a 54 normal lens model, the HD HERO is completely shockproof and waterproof up to 180 feet.

The Canon e-HDxs HJ14ex4.5B IRSE  is a wide angle 10x 2/3" servo lens built to offer high performance in HDTV programming. The lens is lightweight and can be relied upon under harsh conditions. Additionally, it's equipped with features such as internal focus and shuttle-shot programmable positioning. The focal-length range is 4.5-50mm with a minimum object distance of 3' (0.9 m) and comes equipped with a manually operated 2x extender. This is one beautiful piece of glass!

In recent years, demand for HD production has steadily expanded to encompass a broad variety of program genres. Under such circumstances, the HJ15ex8B has seen a worldwide rise in popularity as a standard HD lens having high performance and ease of operation. The HJ15x8B is a lens whose central design criteria were low weight and small physical size especially made for HD program acquisition.

The LMD-170WS is a 17-inch, multi-format, wide screen monitor with a high performance LCD panel. A separate LMD 170WS multi-format engine houses the video processing, input connections, option slots, controls and power supply, which enables the monitor to be thin and lightweight. Only the LMD170WS multi-format LCD panel and the tally light are mounted in the display cabinet, providing a lightweight design that allows greater installation flexibility. The multi-format engine accepts a wide range of analog and digital signals such as NTSC, PAL, 480/60I, 575/50I, 480/60P, 576/60P, 1080/50I, 1080/60I, 720/60P, and 1080/24PsF.
 

The Panasonic BT-LH1700W is a 17" widescreen monitor designed for broadcast and studio applications. It utilizes advanced processing technology to reproduce images with color and contrast qualities once found only in CRT monitors. This model is capable of displaying all the HDTV formats and frame rates as well as being NTSC and PAL compatible.

Panasonic’s  TC-7WMS1 - 7" LCD SD color display greatly expands
monitoring in both field and studio environments. Mount it directly on
the camera or, add a battery and it becomes a freestanding portable
monitor — convenient for producers’ and directors’ viewing.

The 8.9 inch VX9 LCD monitor answers the production
professional’s need for an affordable, effective
monitoring solution utilizing the industry-standard
HD-SDI input, as well as HDMI, composite and
component  inputs. The VX9 boasts a panel resolution of
1024 x 600 and features LED backlighting.  Battery powered for
easy field monitoring of virtually any video source!

Includes Camera, Batteries & Canon SD Lens

The DXC-D30WS incorporates three Power HAD WS™ CCDs which have been specifically designed for a 16:9 aspect ratio, switchable to 4:3. When shooting in the 16:9 or 4:3 format, the DXC-D30WS offers outstanding picture quality and tremendous flexibility for a variety of applications. Some of the features of the D30 camcorder include interchangeable 2/3" zoom-lenses, Full Digital Signal Processing, high resolution 1.5" B&W viewfinder (DXF-801) and LCD panel, compact & lightweight, adjustable shoulder pad, video light connector, electronic color temperature adjustment, DV and DVCAM™ recording, and professional audio features.

Our D30 DSR-1 Camera Package includes:

• Sony DXC D30WS Camera Body with Sony DSR-1 DVCAM recorder
• Canon J19x9B-IRS w/2X -or- J8Ax6B-IRS Internal Focus Broadcast Lens w/Extender
• Satchler 18 III Fluid Head
• Anton Bauer Batteries and Charger / Power supply
• Portabrace Carry-on bag

Includes Camera, Batteries & Canon SD Lens

This camera still sets the standard for SD origination - and ours has a Macie set-up with a very nice warm look that our clients love!

Our D600 WS Camera Package includes:

• Sony D600 Camera Body
• Canon J19x9B-IRS w/2X -or- J8Ax6B-IRS Internal Focus Broadcast Lens w/Extender
• Satchler 18 III Fluid Head
• Anton Bauer Batteries and Charger / Power supply
• Portabrace Carry-on bag

Includes Camera, Batteries & Canon SD Lens

The DXC-D30WS incorporates three Power HAD WS™ CCDs which have been specifically designed for a 16:9 aspect ratio, switchable to 4:3. When shooting in the 16:9 or 4:3 format, the DXC-D30WS offers outstanding picture quality and tremendous flexibility for a variety of applications. Some of the features of the D30 camcorder include interchangeable 2/3" zoom-lenses, Full Digital Signal Processing, high resolution 1.5" B&W viewfinder (DXF-801) and LCD panel, compact & lightweight, adjustable shoulder pad, video light connector, electronic color temperature adjustment, BetaCam SP  recording, and professional audio features.

Our D30 WS PVV-3 BetaCam SP shooter’s Package Includes:

• Sony D-30WS Camera Body, Sony PVV-3 BetaCam Recorder
• Canon J19x9B-IRS w/2X -or- J8Ax6B-IRS Internal Focus Broadcast Lens w/Extender
• Satchler 18 III Fluid Head
• Anton Bauer Batteries and Charger / Power supply
• Portabrace Carry-on bag

Great run and gun camera! Shoots in 24p, 30p, and 60i on mini-DV tape.

Our DVX-100A DV Shooter’s Package includes:

• Panasonic DVX-100A Camera with Leica  built in zoom lens
• 2 Anton Bauer Elipz batteries, charger, AC Power supply (lots of power!)
• Pelican hard carrying case
• Fluid Head Tripod

The YJ12x6B surpasses Pro-Video Wide lenses by offering the Widest focal length (6mm), the Highest zoom ratio (12x), and the Fastest zoom speed (1.2 sec from wide end to tele end). In addition to having Canon's innovative 3-group Internal Focus (IF) Technology and exclusive Shuttle Shot Function, its new ergonomically designed drive unit accounts for its ideal balance and comfort.

The Canon YJ19 x 9B IRS Telephoto lens uses Internal Focus technology pioneered by Canon and first introduced into their Broadcast ENG lenses. It has since become the industry-standard. Only internal elements move when focusing and this enhances optical performance and provides several user enhancements. The Canon 19x8 IRSE is a great addition to any production.

Chroma Key is a great tool for digital video applications and digital compositing. This collapsible unit sets up in minutes and provides a flat/smooth surface instantly. This 6' x 6' size is ideal for head shots all the way to full length shots. Collapses for easy transport and storage. Includes a stand and bag upon request.

This small HMI puts out a lot of light! It includes case, head, ballast, barndoors, lenses, scrims, Arri stand, spare lamp, Speedring, & small Chimera.

This may be the only tungsten kit you need, with a perfect balance of wattage to light beautiful interviews, stand-ups and b-roll.  Includes 2-300w Fresnel, 2-650w fresnel, 1-Arrilite 1,000 w/Speedring, Chimera, spare lamps, and large rolling Arri case.

The  400 system was designed specifically for the fast pace and quick set ups of news coverage. The ultra fast re-strike lamp starter assures quiet and immediate lamp ignition and re-ignition. This innovative fixture has retained the qualities of the system, offering two fixtures in one: an Omni-directional fixture and a directional focus-able open face Flood. Our package includes: head & ballast, lenses, barn doors, speed ring, Small Chimera, spare lamp, case, and stand.

The Joker-Bug 800 offers one of the most flexible optical configuration for daylight balanced location lighting. Using the BUG “Bare Bulb” design inside a Chimera Softbank, it can produce a 50% greater output than a 1200w HMI with a Chimera, while drawing only 12.5 amps! It can be configured with any of the included lenses as a direct source, or with a Chimera, providing a nice soft, even source. Our package includes: head, ballast, extension cable, various lenses, barn doors, small or medium Chimera, spare bulb, case, and your choice of stands.

This is a Kino Flo Diva Lite 400 Kit. Kino Flo has revolutionized its award winning location lighting systems by creating the Diva-Lite 400 series especially designed for digital video capture. The Diva-Lite  provides a broad soft and diffuse light that can easily go from daylight to tungsten in minutes . The fixture has a low heat output, so color gels do not burn or fade, and the unit can be turned off and packed away with no cool down period and Its slim profile make it perfect for shooting in tight locations.

The ultimate in portable dolly systems! The Spider Dolly is the most portable professional dolly on the market.  Combined with a piece of Flex-Trak, the simple 3-Leg Spider converts your tripod into an extremely portable, tracking dolly.

Combined with the amazing Flex-Trak, the seamless dolly track can be configured in straight runs that can suddenly curve in any radius or direction.  The basic unit is 40', which will loop to make on 17' run.  With two pieces the dolly will create a 40' run.  Each section rolls up into a 2' diameter bundle and weighs 40lbs creating un precedent portability for a track rigid enough to support an operator, yet flexible enough to curve into a 90 degree turn with a 2' radius.  The key to FlexTrak's success lies in the unique capability of our Spider Dolly's track wheels, which are designed with double articulating arms that create the ability to negotiate sharp radius turns.

The EZ Jib arm is a portable, user friendly and the most versatile Jib arm in the production industry. Cost effective, user friendly and versatile are the attributes that set the EZ Jib arm apart from all others. Add production value and get the sophisticated look of moving camera shots in your productions. Save valuable production time by setting up your static shots very quickly. This Jib becomes the most unique jib on the market, allowing you to produce compound jib shots with pan/tilt movement. This system was designed with the end user in mind and with a modern approach to production. This system will adapt to any production scenario and grow with your needs.

This portable camera-mounted teleprompter is perfect for field and studio use, and can be used with any sized camera. It has a super bright LCD that can be seen from up to 20 feet away. Can be rented alone, or with one of our qualified operators. Please call for prompter operator rates.

• Bright 17"color LCD SVGA display
• Supports cameras up to 40lbs
• Can control scrolling speed wirelessly
• Use with film, full size Beta SP, DigiBeta, HDV or DVCAM, single or 3-chip minidv cameras and HDV cameras like the Z1U, Panasonic HVX200 and Canon XHA1
• Only 14 lbs including monitor
• Use LCD as extra desktop monitor
• High quality computer machined aluminum
• Patent pending optic system
• Ultra-Clear HD Glass Beamsplitter

Our complete field audio package includes everything a sound person would need: a Sure FP33 3-Channel Mixer powered with rechargeable AB Batteries, A VBS Carbon Fiber Boompole, Sennheiser MHK 66 Shotgun Mic, 2 - Lectosonics 187 Wireless sets, 2 Lectronsonics 195 Wireless sets, 2 Tram lavs, Sony Headphones, Batteries w/charger, and a set of XLR cables.

The Scriptboy is the ideal production assistant's assistant. It provides a large, clear readout of timecode from the camera at distances of up to 100 meters, without cables - and without having to ask the cameraman "what's the code?" A small battery-powered transmitter is attached to the camera and fed with LTC timecode in EBU or SMPTE, dropframe or non-dropframe format. This is transmitted to the Scriptboy clipboard which automatically detects the format and decodes the signal for display. The display reading can be frozen so that accurate timecode can be recorded on.

The Sony UVW-1800 Betacam SP player / recorder features 90 minute playback/record, 16 times picture search, RS-422A remote interface, component video input/output along with composite and S-video input/output. It records on metal particle tape and will playback any Betacam or Betacam SP recorded tape.

The HVR-M15 is an HDV format VTR ideally used with desktop editing workstations. It includes a stand and can be mounted vertically; a great space-saving feature. The modest frame is deceiving as this VTR performs a wide range of professional applications. The deck can play back both NTSC/PAL signals, as well as 720/30p. The unit records Sony's 1080i HDV in 24p, 30p and, 60i as well as DV and DVCAM. High definition can be recorded with either Mini DV tapes or the larger standard size cassettes for record times up to 276 minutes in HDV and DV mode.

Sachtler Caddy fluid head comes with pan handle and quick release plate and has a 7 step pan/tilt drag settings and two built-in counterbalance springs with a 60 mm top slide plate. Head has payload range up to 32 lb. The Gitzo tripod Features just 3 leg sections, and is the lightest and the shortest model in the Series 5 range. It is designed as an ultra-sturdy tripod. Its rated load capacity is 55 lbs, and it offers an incredibly stable base for any professional high performance equipment. Adjusts from 7” to 49”.